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Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.Ī tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Īnother sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.Ī week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S.
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Indeed, the novel does double duty as a survival manual, packed full of good advice-for instance, try not to get wounded, for “injury turns you from a giver to a taker.
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Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Still, for readers with a taste for the slightly gothic and the very gritty, this is ugly, busy entertainment-if too hyped up to work as a grimly real reflection of recent headlines involving child abuse.Īre we not men? We are-well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).Ī zombie apocalypse is one thing. Unfortunately, though a few of the final twists are surprising (and implausible), the basic secret is apparent very early on Alex's narration is marred by irritating, holier-than-thou psychology-lectures and the group-portrait of child-molesters here has a glamorized, sensationalized, simplistic aroma. and of that child-molester found dead in Alex's office! (But was it really suicide?) So finally, after a routine car-chase, more fatalities, and a kidnapping, Alex figures out the motivations behind the killings (some blackmail, some coverups)-while exposing a child-molestation ring involving all sorts of flashy, famous, well-bred people. Eventually all the leads converge on an elite island-community due north, the hometown of several suspects. circles-has strong connections to La Casa too! Could all this be just a coincidence? Alex thinks not as more gruesome corpses proliferate, he does some checking into La Casa's guru, his staff, and their brigade of volunteers. Furthermore, little Melody's pediatrician-a big wheel in M.D. Meanwhile, the Milo/Alex sleuthing focuses on Handler's patients and on his girlfriend-both of whom turn out to have connections to La Casa de Los Ninos, a home for disturbed/retarded children. (Alex discovered the suicide-ravaged body of the molester in his office.) It's very reluctantly, then, that Alex agrees to help his pal, gay cop Milo, with a murder case: psychiatrist Morton Handler and girlfriend have been killed in his apartment, and the only witness who saw the killer is emotionally fragile child Melody-the daughter of the apartment-complex manager. child psychologist Alex Delaware, who's "retired" (at 33) after having something of a nervous breakdown-following his consultant work on a harrowing child-molestation case. The narrator-sleuth in this rather overwrought psycho-mystery is L.A.